The Persistent Within the Transient
Read what is unique about the origin of the greatest art in India, and how it is essentially different from the Western view of artistic creation.
The Persistent Within the Transient Read More »
Read what is unique about the origin of the greatest art in India, and how it is essentially different from the Western view of artistic creation.
The Persistent Within the Transient Read More »
Find out what makes one a “true creator” whose living creations withstand the test of time, and explore the relation of Art and Yoga.
The Great Impersonal Creators and Their Living Creations Read More »
Sri Aurobindo explains the right Yogic attitude one must have towards artistic pursuit in the path of integral sādhana.
Art as Part of the Yogic Life Read More »
This remarkable letter of Sri Aurobindo, with relevant examples and detailed explanations, is a perfect response to the slogan – Art for Art’s Sake.
Art for Art’s Sake? Certainly, But Also Art for the Soul’s Sake Read More »
Read these selections from Evening Talks with Sri Aurobindo on beauty, and the relation between aesthetic refinement and spiritual development.
“In India God is the All-beautiful” – Conversations with Sri Aurobindo Read More »
These passages from Sri Aurobindo’s play ‘The Harmony of Virtue’ written in 1892, highlight the Beauty in Nature which is based on the principle of Harmony.
Beauty and Harmony in the Warp and Woof of Nature Read More »
What do we are truly seek when we seek beauty? How can one consciously appreciate that which is beautiful and true? Read and discover.
“To find highest beauty is to find God” Read More »
Sri Aurobindo’s in-depth and profound explanation of the concept of Avatarhood as given in the Bhagavad Gita is the best one would find anywhere.
Avatarhood in ‘Essays on the Gita’ – 1 Read More »
Sri Aurobindo explains that the Avatar comes to bring nearer the kingdom of heaven on earth in the collectivity as well as to build the kingdom of heaven within in the individual human soul.
Avatarhood in ‘Essays on the Gita’ – 2 Read More »