The Spiritual Roots of Art in India
India conceived the philosophy of art, early on in the Vedic period itself. The highest vision of the Rishis was at the root of all great art forms in India.
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The Rapture of the Cosmic Dance – 1
Read about the sacred origins of dance as per the Indian cultural tradition. Also emphasized here is an integral vision of art in India.
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The Rapture of the Cosmic Dance – 2
The focus of drama in India was along the lines of the Indian view of life which emphasised continuity and renewal as well as an urge to create an ideal life.
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The Purpose of Art – From Beauty to Bliss
This new series explores the Spirit and Forms of Art in India. The first issue focuses on the theme: The Purpose of Art – From Beauty to Bliss.
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“Beauty is his footprint…” (with video)
How is Beauty connected with delight, harmony and life? How does one experience the delight of beauty? Read and reflect. Also, watch a video featuring an insight from the Mother on how “the anguish of desire” distorts the experience of beauty.
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“Each action left the footprints of a god”
The Mother speaks of Sri Aurobindo as the “Future advancing towards its realisation”. He is the Avatar of the Future, the one who not only declares that in the spiritual development of the consciousness upon earth “the great past ought to be followed by a greater future,” but has also given world the assurance of a divine future.
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On Life, Love and Inner Solitude
In this second issue exploring Silence and Solitude, we begin with a reflection on the place of solitude in human relations.
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Sea of Stormy Passions, Sea of Serene Silences (a poem, a narration and more)
As we come to the close of our ‘Streams of Sadhana’ topic, we take up the theme Silence and Solitude. This is the first of the two issues on this theme.
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“An unseen Presence moulds the oblivious clay.”
We continue our exploration of the theme – Divine in Nature, with a greater focus on communion with material nature as a means to widen our consciousness.
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The One Who Fashions a Cosmos, and a Curl
The absolute Brahman manifests as the Ishwara, the one Eternal. It also manifests as the multiplicity of the One in the Jiva, the living creature. Thus creating the double aspect of Being and Becoming. What we call as the soul or psychic entity in the individual is an eternal portion of Brahman, the Ishwara. But what of the other parts in an individual which move, act, and grow in the plane of Ignorance? What of the world movements, the affairs of our lives and the struggles and conflicts therein? If all these are workings of the Nature, of which our human nature is an intrinsic aspect, what is the relation of Ishwara with the Nature? The current issue and the one following this will explore some aspects of the theme – Divine in Nature.
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