Month: September 2021

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The Absolutely Perfect, the Absolutely Humble Divine

In India, since millennia, modesty or humility has been considered the one of the most noble virtues, one that is the ornament of all virtues. In present times when self-promotion is not only an acceptable practice but has actually become a highly sophisticated skill that one must master if one wants to be ‘successful’, humility often takes a backseat. But if we step back for a moment and reflect carefully we will find that it is exactly in times like these that we must sincerely begin to examine for ourselves what is true humility. And more importantly, how it is related to our inner journeys, our growth as conscious individuals with an aspiration to grow inwardly and walk the path that takes us closer to our highest Self within. This issue is dedicated to exploring Humility as one of the Twelve Powers which the Mother spoke of as necessary for the full manifestation of Her Work.

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“True Humility is Humility Towards the Divine”

Selections from various writings and talks of the Mother and Sri Aurobindo are presented to help us understand the meaning of true humility, which is about constantly referring oneself to the Divine, placing all before the Lord, and having a living sense that one is nothing, can do nothing, understand nothing without the Divine. We also learn that excessive self-esteem and self-depreciation are both wrong attitudes when cultivating the quality of true humility.

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Sri Aurobindo on Outward Humility

In this interesting conversation of Sri Aurobindo with a small set of disciples, dated January 6, 1939, about methods of effacing the ego, Sri Aurobindo makes an important distinction between outward modesty and the true attitude of psychic humility which can help the sadhak get rid of the vital ego. As an added bonus, we also get a glimpse here of a facet of Sri Aurobindo’s outer personality during his political revolutionary days.

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Sri Aurobindo – The Perfect Gentleman (PART 1)

A most divine nobility and a perfectly sincere humility are the key highlights of the adorable personality of Sri Aurobindo which we see presented in this wonderful narration by Nirodbaran. This talk was given on June 12, 1970 at Sri Aurobindo International Centre of Education and was first published in Mother India.

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Sri Aurobindo – The Perfect Gentleman (PART 2)

Reading Nirodbaran’s narration of the divine qualities of Sri Aurobindo’s personality, one is reminded of the description Sri Aurobindo once gave of an Aryan gentleman. India’s rebirth and regeneration requires such character, such nobility in our youth; our national education must work toward this goal.

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Ahankāra – Sri Aurobindo on Tamasic, Rajasic, Sattvic Ego and More

In this essay written originally in Bengali, Sri Aurobindo highlights the subtle but important difference between the tamasic, rajasic and sattvic ego. He reminds us that just as pride has ego, in the same way humility also has ego; just as strength has ego, in the same way weakness also has ego.

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True Humility – “A Living and Secret Contact with the Divine Consciousness”

In this delightful little essay, Nolini Kanta Gupta reminds us – “Humility, in order to be true and sincere, need not be sour and dour in appearance or go about in sack-cloth and ashes. On the contrary, it can be smiling and buoyant: and it is so, because it is at ease, knowing that things will be done—some things naturally will be undone too—quietly, quickly, if necessary, and inevitably, provided the right consciousness, the right will within is maintained.”

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The Art of Heritage Photography – A Conversation with Madhu Jagdhish (Video)

Our guest Mr. Madhu Jagdhish is a heritage photography enthusiast, with special interest in documenting the rich Indian heritage of temple sculptures. A thoughtful exposure to our culture’s artistic heritage and an overall development of aesthetic sensibility and artistic appreciation are important parts of any meaningful education. In the age of smartphones with photography becoming available at fingertips, it is important that youngsters interested in exploring photography as an art-form and a possible vocation are shown this possibility that photography can also become a great medium to go deeper into one’s cultural roots and in the process discover and reveal (for oneself and for others) the rich artistic and aesthetic traditions that we have inherited. In this regard, Mr. Jagdhish’s work makes a significant contribution.

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