Rasa: Its Meaning and Scope – 3
The author presents an ideal for an artist. The artist is one in whom the sattwic buddhi or the capacity for ideal sensibility predominates.
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Rasa: Its Meaning and Scope – 2
In this part the author explores if there a primary rasa from which other rasa-s originate. He also helps us reflect on how rasa is an attribute of the soul.
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Rasa: Its Meaning and Scope – 1
A few selections from a comprehensive essay, first published in two parts in the annual journal, Sri Aurobindo Circle (1949 and 1950).
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Avatarhood in ‘Essays on the Gita’ – 1
Sri Aurobindo’s in-depth and profound explanation of the concept of Avatarhood as given in the Bhagavad Gita is the best one would find anywhere.
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Avatarhood in ‘Essays on the Gita’ – 2
Sri Aurobindo explains that the Avatar comes to bring nearer the kingdom of heaven on earth in the collectivity as well as to build the kingdom of heaven within in the individual human soul.
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The Upanishads Elucidated: The Enigmatic Seed
Enjoy this beautiful retelling of how the Supreme seated Itself in all Manifestation – in a seed form, waiting to blossom in full.
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Sri Aurobindo’s Savitri and Vyasa’s Savitri – 3
In continuation of the first two parts of this essay published in the last issue, read here about some of the deep symbolism found in Sri Aurobindo’s Savitri.
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Sri Aurobindo’s Savitri and Vyasa’s Savitri – 4
Satyavan symbolizes the aspiring human spirit caught in the mesh of ignorance and death. Savitri is the Divine’s Grace, the Divine’s love which has come down.
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The Angirasa Legend in the Veda
Sri Aurobindo summarizes the symbolism behind the legend of Angiras Rishis from the RigVeda, and touches upon who is truly an Aryan in the Veda.
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The Legend of the Lost Cows
The legend of the lost Cows helps us understand the deeper secret of the Veda. For this we first must know the symbolism behind the word ‘go’.
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Of Dogs, Gods and Elements: Symbolism in the Upanishads
From the original essay titled ‘Upanishadic Symbolism’ we take up three aspects – about the Five Elements, Triple Agni and Number of Gods.
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Deva and Asura in the Bhagavad Gita
The psycho-spiritual interpretation of Daivic and Asuric natures as described in the Bhagavad Gita finds its origin in the ancient Vedic symbolism.
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Sri Aurobindo’s Savitri and Vyasa’s Savitri – 1
Under the title of his epic poem, Savitri, Sri Aurobindo added “A Legend and a Symbol”. What is this legend? And what does the poem symbolize?
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Sri Aurobindo’s Savitri and Vyasa’s Savitri – 2
Aswapati’s quest is a symbolic quest: it is the quest of humanity as a whole. This is a first change that one finds that Sri Aurobindo has made in Savitri.
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The Gods and Goddesses of the Veda – 1
This 2-part article summarizes Sri Aurobindo’s explanations of the deeper symbolism of Vedic Gods and Goddesses, powers and names of the One Supreme.
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The Gods and Goddesses of the Veda – 2
Read in this part about the deeper symbolism of several Vedic goddesses such as Saraswati, Ila, Mahi, Dakshina and Usha.
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Daksha and Kali – Decoding the Symbols
The author helps us understand the deep symbolism behind the story of Daksha Prajapati’s head being severed, and his acquiring the head of a goat.
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The Upanishads Elucidated – The Seekers of Light
The key characters in the story are the children of four different kinds of light, Soma, Agni, Vajra and Surya, invoking the symbolism of these Vedic deities.
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The Upanishads Elucidated: Swarāt Samrāt -1
This story titled ‘Swarāt Samrāt’ in our ongoing series invites us to ponder upon the concept and practice of self-mastery and self-conquest.
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The Upanishads Elucidated: Swarāt Samrāt -2
What happens next to Neel and Lal? And what of the jewels each of them had? Read all about it in this part 2 of the story and learn of a deep Vedantic truth.
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