Nandalal Bose: An Indian Artist
Read about the artistic, philosophical and spiritual influences that shaped Nandalal Bose, one of the leading figures of modern Indian painting.
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Of Rama, Sita and Veerabhadra: The Grand Temple at Lepakshi – 3
The magnificent murals of the Veerabhadra Swami Temple mesmerise us with their aesthetic appeal, even after more than 500 years.
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Sri Aurobindo and Indian Aesthetics – Part 2 (Video)
The author writes: “According to the Indian philosophy of worship, with which are closely allied the origins of art, the ishta devatā or chosen form of deity is but one’s own ideal self, svarupa.”
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A Conversation on Art, Creativity and Inner Quest (Video)
We speak with Chad Kilgore, a US-based visual artist, on his journey as an artist, his spiritual quest, and the relation between his art and his inner journey.
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Self-control: A Tale Told by the Mother (Video)
We feature a short tale on Self-control. In addition to the English translation as told by the Mother, we present the Hindi translation in the form of an animated video. Video editing and voice-over are done by Biswajita Mohapatra.
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Book Review: ‘Antaryatra: Soul Journeys’ by Beloo Mehra (with Video)
“…a reflective memoir, philosophical musing, and inner dialogue that invites the reader to embark on their own antaryatra.”
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The Gods of Indian Sculpture
In our ongoing exploration of the Spirit and Forms of Art in India, we now focus our attention on India’s long and rich sculptural tradition.
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Spiritual Motive of Indian Sculptural Art – I
Read Sri Aurobindo’s inspiring description of the profound intention and motive which guides Indian sculptural art, and its deep and intimate connection with the spiritual and religious-philosophic vision that is at the source of all Indian cultural expressions.
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Spiritual Motive of Indian Sculptural Art – II
“…the Indian mind moves on the spur of a spiritual sensitiveness and psychic curiosity, while the aesthetic curiosity of the European temperament is intellectual, vital, emotional and imaginative in that sense, and almost the whole strangeness of the Indian use of line and mass, ornament and proportion and rhythm arises from this difference.” Read more.
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