In this concluding part, the author through the use of two examples – Nataraja and Seated Buddha – explains the deeper purpose behind the continuity of an artistic tradition that expresses the highest ideal valued by Indian culture.
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Art in India, including the artistic process used for decorative arts such as jewelry design, follows the essential Indian view, namely getting to the spirit of things and working out from that. Coomaraswamy also emphasises the role of tradition and historic continuity in creative and artistic process.
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The author points out that the temple design suggests and symbolizes the Universe. The site of a temple or town is laid out in relation to astrological observations. Every stone has its place in the cosmic design.
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Volume V, Issue 11-12Author: Ananda Coomaraswamy Editor’s Note: Ananda Kentish Coomaraswamy is a familiar name for every student or rasika of Indian Art. He is widely acknowledged as one of the great art historians and scholars of Indian art. Coomaraswamy was an early interpreter of Indian culture to the West. His numerous writings cover areas
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In this part, the author goes deeper into the essential purpose of art in India and also how it is different from the Western art.
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