Beloo Mehra

Dr. Beloo Mehra fell in love with Sri Aurobindo and the Mother sometime in the summer of 2004, though she is sure that this love was hiding somewhere deep inside way before then. On the intellectual side it was primarily the cultural, social and educational thought of Sri Aurobindo and the Mother, which first drew her in, but soon she realised not only the deep inter-connectedness between all aspects of Their Vision, but also the inherent Oneness behind all these many manifestations or expressions of their Divine Work. Dr. Mehra presently works as Director, BhāratShakti, Sri Aurobindo Society and Editor of Renaissance. She writes regularly for several journals and magazines in the areas of Sri Aurobindo Studies. Her academic background includes degrees in Education and Economics, and she has extensive research and teaching experience at school and university levels in India and the US.
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The Way of the Indian Artist

In the Indian vision, all Art is a medium to express the Ananda, this Eternal Delight through form. An Indian painter or sculptor seeks the pure intensities of delight as he searches for the universal beauty revealed or hidden in all creation. As he seeks perfection in the form that comes through his hand or brush, his inner being experiences a sort of enlightenment through the power of a certain “spiritually aesthetic Ananda”, reminds Sri Aurobindo.

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“Each action left the footprints of a god”

The Mother speaks of Sri Aurobindo as the “Future advancing towards its realisation”. He is the Avatar of the Future, the one who not only declares that in the spiritual development of the consciousness upon earth “the great past ought to be followed by a greater future,” but has also given world the assurance of a divine future.

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