Beloo Mehra

Dr. Beloo Mehra fell in love with Sri Aurobindo and the Mother sometime in the summer of 2004, though she is sure that this love was hiding somewhere deep inside way before then. On the intellectual side it was primarily the cultural, social and educational thought of Sri Aurobindo and the Mother, which first drew her in, but soon she realised not only the deep inter-connectedness between all aspects of Their Vision, but also the inherent Oneness behind all these many manifestations or expressions of their Divine Work. Dr. Mehra presently works as Director, BhāratShakti, Sri Aurobindo Society and Editor of Renaissance. She writes regularly for several journals and magazines in the areas of Sri Aurobindo Studies. Her academic background includes degrees in Education and Economics, and she has extensive research and teaching experience at school and university levels in India and the US.
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A Special Issue on the Mother as an Artist

After last month’s special offering which included the release of the first issue of Renaissance Redux, and the launch of Children’s Corner, along with rich content related to appreciation of Indian art and a book review, we are happy to bring another special issue this month. The focus this time is on the Mother as

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A Conversation on Art for Chittashuddhi, Purification of the Heart

Inspired by Sri Aurobindo’s essay titled National Value of Art, this conversation explored how art and creative expression can be used for refining the vital as well as facilitating healing and growth in an educational context. 

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The Way of the Indian Artist

In the Indian vision, all Art is a medium to express the Ananda, this Eternal Delight through form. An Indian painter or sculptor seeks the pure intensities of delight as he searches for the universal beauty revealed or hidden in all creation. As he seeks perfection in the form that comes through his hand or brush, his inner being experiences a sort of enlightenment through the power of a certain “spiritually aesthetic Ananda”, reminds Sri Aurobindo.

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