Read here what Sri Aurobindo means by the rebirth of the soul of India that is “governed by the principle of spirituality”.
Spiritual Culture and Application of Spirituality to Life – 1 Read More »
If integral spirituality is all-inclusive does it mean that there is no difference between a spiritual and material view of existence? Read and discover.
Spiritual Culture and Application of Spirituality to Life – 2 Read More »
Our work for New India must be “an outer activity as well as an inner change”, and “at once a spiritual, cultural, educational, social and economical action”.
A New Orientation for the Spiritual Ideal Read More »
This powerful writing of Sri Aurobindo from Bande Mataram will be our Guiding Light as we embark on a new series in the upcoming issues.
The Despot and the Strength of the Idea Read More »
We feature two examples through which Sri Aurobindo teaches us how to ‘see’ an Indian painting – one from Ajanta, and the other from Bengali school of painting.
How to ‘See’ Indian Painting – Two Examples by Sri Aurobindo Read More »
Featuring selections from Sri Aurobindo’s masterly essay on Indian Painting, with a focus on the essential spirit and motive of Indian painting.
The Art of Painting in India – 1 Read More »
In this part, Sri Aurobindo highlights the essential spirit and motive of Indian painting which is identical with the inspiring vision of Indian sculpture.
The Art of Painting in India – 2 Read More »
Read Sri Aurobindo’s inspiring description of the profound intention and motive which guides Indian sculptural art, and its deep and intimate connection with the spiritual and religious-philosophic vision that is at the source of all Indian cultural expressions.
Spiritual Motive of Indian Sculptural Art – I Read More »
“…the Indian mind moves on the spur of a spiritual sensitiveness and psychic curiosity, while the aesthetic curiosity of the European temperament is intellectual, vital, emotional and imaginative in that sense, and almost the whole strangeness of the Indian use of line and mass, ornament and proportion and rhythm arises from this difference.” Read more.
Spiritual Motive of Indian Sculptural Art – II Read More »