The Persistent Within the Transient
Read what is unique about the origin of the greatest art in India, and how it is essentially different from the Western view of artistic creation.
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The Great Impersonal Creators and Their Living Creations
Find out what makes one a “true creator” whose living creations withstand the test of time, and explore the relation of Art and Yoga.
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Art as Part of the Yogic Life
Sri Aurobindo explains the right Yogic attitude one must have towards artistic pursuit in the path of integral sādhana.
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Art for Art’s Sake? Certainly, But Also Art for the Soul’s Sake
This remarkable letter of Sri Aurobindo, with relevant examples and detailed explanations, is a perfect response to the slogan – Art for Art’s Sake.
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“In India God is the All-beautiful” – Conversations with Sri Aurobindo
Read these selections from Evening Talks with Sri Aurobindo on beauty, and the relation between aesthetic refinement and spiritual development.
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Beauty and Harmony in the Warp and Woof of Nature
These passages from Sri Aurobindo’s play ‘The Harmony of Virtue’ written in 1892, highlight the Beauty in Nature which is based on the principle of Harmony.
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“To find highest beauty is to find God”
What do we are truly seek when we seek beauty? How can one consciously appreciate that which is beautiful and true? Read and discover.
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Avatarhood in ‘Essays on the Gita’ – 1
Sri Aurobindo’s in-depth and profound explanation of the concept of Avatarhood as given in the Bhagavad Gita is the best one would find anywhere.
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Avatarhood in ‘Essays on the Gita’ – 2
Sri Aurobindo explains that the Avatar comes to bring nearer the kingdom of heaven on earth in the collectivity as well as to build the kingdom of heaven within in the individual human soul.
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To Talk or Not to Talk (with narration of Gibran’s ‘On Talking’)
Sri Aurobindo reminds us that instead of practicing complete mauna, we must become conscious of our speech and learn to control it.
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“A silent mind is the first step”
We highlight a few letters of Sri Aurobindo which emphasize the profound necessity of silencing the mind. He explains that acquiring a silent mind is not easy, and gives some practical guidance in this regard.
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Sri Aurobindo on His Silence, Sadhana and Nirvana
In these letters Sri Aurobindo gives a detailed description of his first spiritual realization – that of Silent Brahman or Nirvana in 1908.
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Of Social Relations, Retirement and Sadhana
These letters throw light on the rightful place of and the right attitude to have toward solitude and retirement from external activity Integral Yoga.
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Of Silence, Voices, and the Voice of God
In this beautiful essay circa 1912, Sri Aurobindo gently reminds us of the necessity to silence the voices of what he refers to as “the gods of the heart, the gods of the mind, the gods of desire, the gods of sense” which inevitably come as an aspirant walks on the path. These voices alter and distort the Voice of the Supreme, yet as he tells us, it is through these voices also the Supreme leads the aspirant according to his or her unique nature and temperament.
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God at the Beginning, God in the Middle, God at the End, God Everywhere
In highlighting the theme – Divine in Nature, these passages remind us that all that is is the manifestation of a Divine Infinite.
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From Nature to Supernature
What is the relation between the hidden Divinity in our nature and the evolutionary inner journey that is called Yoga when pursued consciously?
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Vāsudevaḥ sarvam iti and Karmayoga
These passages from Sri Aurobindo’s writings help us deepen our understanding of the phrase वासुदेवः सर्वमिति from the Bhagavad Gita (7.19).
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Difficulties and the Mother’s Grace
We feature a few letters of Sri Aurobindo which remind us that only the Mother’s Grace can pull us out of any darkness or despondency we may fall into as we walk the sunlit path of Integral Yoga.
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The Angirasa Legend in the Veda
Sri Aurobindo summarizes the symbolism behind the legend of Angiras Rishis from the RigVeda, and touches upon who is truly an Aryan in the Veda.
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Deva and Asura in the Bhagavad Gita
The psycho-spiritual interpretation of Daivic and Asuric natures as described in the Bhagavad Gita finds its origin in the ancient Vedic symbolism.
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