Rasa: Its Meaning and Scope – 3
The author presents an ideal for an artist. The artist is one in whom the sattwic buddhi or the capacity for ideal sensibility predominates.
Rasa: Its Meaning and Scope – 3 Read More »
The author presents an ideal for an artist. The artist is one in whom the sattwic buddhi or the capacity for ideal sensibility predominates.
Rasa: Its Meaning and Scope – 3 Read More »
In this part the author explores if there a primary rasa from which other rasa-s originate. He also helps us reflect on how rasa is an attribute of the soul.
Rasa: Its Meaning and Scope – 2 Read More »
A few selections from a comprehensive essay, first published in two parts in the annual journal, Sri Aurobindo Circle (1949 and 1950).
Rasa: Its Meaning and Scope – 1 Read More »
“At some fortuitous moment of time the glory of Indian civilisation met the grandeur of the Sanskrit language. The Ramayana and the Mahabharata were born.”
Sri Aurobindo’s Interpretation of Indian Culture: The Ramayana – 1 Read More »
To celebrate the World Sanskrit Day on August 15, we dedicate the present issue of ‘Renaissance’ to Sanskrit, the divine language.
Devabhasha – The Language Divine Read More »
A college student from Mumbai, who had attended a Sanskrit appreciation and learning workshop at Sri Aurobindo Society expresses her love for Sanskrit in this poem.
छात्रप्रश्नाः (A Student’s Questions) Read More »
We review three new Sanskrit books for children published by Samskrita Bālasāhitya Parishad. These books reflect the diversity of children’s literature in Sanskrit – one is a book of rhyming songs, the other is a collection of short humorous stories and the third is a beautifully illustrated story book.
The Wonderful World of Children’s Literature Read More »