In this concluding part, the author through the use of two examples – Nataraja and Seated Buddha – explains the deeper purpose behind the continuity of an artistic tradition that expresses the highest ideal valued by Indian culture.
The Aims of Indian Art – Part 5 Read More »
A visualization of Sri Aurobindo’s sonnet titled Divine Sight. The seer-poet expresses here all that is seen by the seeing of the Soul.
Divine Sight – A Sonnet by Sri Aurobindo (Video) Read More »
In the Indian vision, all Art is a medium to express the Ananda, this Eternal Delight through form. An Indian painter or sculptor seeks the pure intensities of delight as he searches for the universal beauty revealed or hidden in all creation. As he seeks perfection in the form that comes through his hand or brush, his inner being experiences a sort of enlightenment through the power of a certain “spiritually aesthetic Ananda”, reminds Sri Aurobindo.
The Way of the Indian Artist Read More »
The Mother gives a detailed explanation of the relation between Art and Yoga. She speaks of various art forms, changing conceptions of art over time, and gives relevant examples.
The Relation of Art to Yoga – I Read More »
In Part 2, the Mother also explains the phenomenon of mushroom art where art becomes disconnected with life and is no longer an expression of integral harmony and beauty.
The Relation of Art to Yoga – II Read More »
Find out what makes one a “true creator” whose living creations withstand the test of time, and explore the relation of Art and Yoga.
The Great Impersonal Creators and Their Living Creations Read More »
Sri Aurobindo reminds us of the highest business of ancient Indian art at its greatest. The Mother explains how an artist may express the “One Divine.”
Soul-realisation – The Method of Artistic Creation Read More »
The author gives a broad overview of what constitutes an ideal artist as per the Indian cultural tradition. The focus is primarily on visual arts.
“Creation is a misnomer; nothing in the world is created” Read More »
YogArt is dedicated to giving practical form to the Mother’s teaching – “the discipline of Art has at its center the same principle as the discipline of Yoga”.
YogArt – Bringing Art and Yoga Together in Practice Read More »
Volume V, Issue 11-12Author: Ananda Coomaraswamy Editor’s Note: Ananda Kentish Coomaraswamy is a familiar name for every student or rasika of Indian Art. He is widely acknowledged as one of the great art historians and scholars of Indian art. Coomaraswamy was an early interpreter of Indian culture to the West. His numerous writings cover areas
The Aims of Indian Art – Part 1 Read More »