Dhūlichitra: The Art Ritual of Women
The art of dhūlichitra mentioned in several ancient Indian treatises on art is known by many names such as kolam, rangoli, alpona, mandana, etc.
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Envisioning the Divine in Indian Art
The essential element of the highest art in India is the artist’s insistence on expressing the Infinite in a finite form. To quote from Sri Aurobindo, it is to “disclose something of the Self, the Infinite, the Divine to the regard of the soul, the Self through its expressions, the Infinite through its living finite symbols, the Divine through his powers”
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The Purpose of Art – From Beauty to Bliss
This new series explores the Spirit and Forms of Art in India. The first issue focuses on the theme: The Purpose of Art – From Beauty to Bliss.
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Art for Art’s Sake? Certainly, But Also Art for the Soul’s Sake
This remarkable letter of Sri Aurobindo, with relevant examples and detailed explanations, is a perfect response to the slogan – Art for Art’s Sake.
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“In India God is the All-beautiful” – Conversations with Sri Aurobindo
Read these selections from Evening Talks with Sri Aurobindo on beauty, and the relation between aesthetic refinement and spiritual development.
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The Uses of Art – A 1905 Lecture
The timely relevance of the key points made by E. B. Havell in this lecture delivered in 1905 is remarkable, despite the references to the context of his time.
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“Beauty is his footprint…” (with video)
How is Beauty connected with delight, harmony and life? How does one experience the delight of beauty? Read and reflect. Also, watch a video featuring an insight from the Mother on how “the anguish of desire” distorts the experience of beauty.
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