The Aims of Indian Art – Part 2
In this part, the author goes deeper into the essential purpose of art in India and also how it is different from the Western art.
The Aims of Indian Art – Part 2 Read More »
Music and Beauty of the Whole
Rabindranath Tagore speaks of the wholeness of Music. It is the purest form of art because the music and musician are inseparable.
Music and Beauty of the Whole Read More »
Embracing Life in Its Many Colours and Hues
Sri Aurobindo writes in The Human Cycle, “The art, music and literature of the world, always a sure index of the vital tendencies of the age, have also undergone a profound revolution in the direction of an ever-deepening subjectivism. The great objective art and literature of the past no longer commands the mind of the new age.”
Embracing Life in Its Many Colours and Hues Read More »
Rasa: Its Meaning and Scope – 2
In this part the author explores if there a primary rasa from which other rasa-s originate. He also helps us reflect on how rasa is an attribute of the soul.
Rasa: Its Meaning and Scope – 2 Read More »
Dhūlichitra: The Art Ritual of Women
The art of dhūlichitra mentioned in several ancient Indian treatises on art is known by many names such as kolam, rangoli, alpona, mandana, etc.
Dhūlichitra: The Art Ritual of Women Read More »
Envisioning the Divine in Indian Art
The essential element of the highest art in India is the artist’s insistence on expressing the Infinite in a finite form. To quote from Sri Aurobindo, it is to “disclose something of the Self, the Infinite, the Divine to the regard of the soul, the Self through its expressions, the Infinite through its living finite symbols, the Divine through his powers”
Envisioning the Divine in Indian Art Read More »