Read Sri Aurobindo’s inspiring description of the profound intention and motive which guides Indian sculptural art, and its deep and intimate connection with the spiritual and religious-philosophic vision that is at the source of all Indian cultural expressions.
Spiritual Motive of Indian Sculptural Art – I Read More »
“…the Indian mind moves on the spur of a spiritual sensitiveness and psychic curiosity, while the aesthetic curiosity of the European temperament is intellectual, vital, emotional and imaginative in that sense, and almost the whole strangeness of the Indian use of line and mass, ornament and proportion and rhythm arises from this difference.” Read more.
Spiritual Motive of Indian Sculptural Art – II Read More »
India’s long and rich sculptural tradition is closely connected with her temple architectural tradition, known together as vaastu parampara. The intimate connection between these two art forms is exemplified perfectly by Kailasha Temple at Ellora caves. Read the author’s experiential account of her visit to Kailasha temple and other caves of Ellora.
Unearthing the Path: My Indian Story Read More »
Selections from the book ‘Indian Sculpture and Iconography: Forms and Measurements’ (2002) published by Sri Aurobindo Society.
From the One Formless to Many Forms Read More »
In Part 1 of this overview on history of Art in India, the author emphasised the ‘sacred’ and the ‘spiritual’ foundation of all artistic creation in India. He focused on the sculptural art in India. This part gives a brief history of Indian painting.
Art in India: A Quick Historical Look – 2 Read More »
Volume VI, Issue 2Author: Sunil Kumar Editor’s Note: Enjoy this delightful book review, which is just as poetic in its feel as the book it speaks of. Book Details: Title: Vritrahan Author: Ratul Chakraborty Publisher: Occam (BluOne Ink Imprint), Pages 346ISBN 13: 978-9365478228Click to buy Quick summary Ratul’s poetic masterpiece seamlessly blends myth and modernity,
Book Review – Ratul Chakraborty’s ‘Vritrahan’ Read More »
The Śilparatna says that the temple, prāsāda, should be worshipped as Puruṣa. But what is this Puruṣa and how a temple symbolises the body of the Puruṣa.
Temple as Puruṣa – Excerpts from a Talk Read More »
The first part takes the reader on a virtual walk-through of the exterior of Veerabhadra temple, pointing out its architectural and sculptural beauty.
Of Rama, Sita and Veerabhadra: The Grand Temple at Lepakshi – 1 Read More »
After a tour of the splendour that fills the compound of Veerabhadra Temple, part 2 now takes the reader toward the interior of the mandir.
Of Rama, Sita and Veerabhadra: The Grand Temple at Lepakshi – 2 Read More »
In the Indian vision, all Art is a medium to express the Ananda, this Eternal Delight through form. An Indian painter or sculptor seeks the pure intensities of delight as he searches for the universal beauty revealed or hidden in all creation. As he seeks perfection in the form that comes through his hand or brush, his inner being experiences a sort of enlightenment through the power of a certain “spiritually aesthetic Ananda”, reminds Sri Aurobindo.
The Way of the Indian Artist Read More »