The Mighty Pen of Sri Aurobindo: Bande Mataram
This excerpt by Sujata Nahar highlights the mighty ‘journalistic’ pen of Sri Aurobindo which he used so effectively to awaken the nation.
The Mighty Pen of Sri Aurobindo: Bande Mataram Read More »

This excerpt by Sujata Nahar highlights the mighty ‘journalistic’ pen of Sri Aurobindo which he used so effectively to awaken the nation.
The Mighty Pen of Sri Aurobindo: Bande Mataram Read More »
Enjoy this special video featuring Sri Aurobindo’s guidance on how we can make every August 15 a definitive step in our inner progress.
Inner Preparation for the Darshan Day – 15 August Special (with Video) Read More »
We feature two examples through which Sri Aurobindo teaches us how to ‘see’ an Indian painting – one from Ajanta, and the other from Bengali school of painting.
How to ‘See’ Indian Painting – Two Examples by Sri Aurobindo Read More »
With selected poems as examples, the author describes Sri Aurobindo’s aesthetics, its principle, process, purpose, and philosophy.
Sri Aurobindo and Indian Aesthetics – Part 3 (with 3 videos) Read More »
The author narrates a personal account of his journey of exploring Indian Art. He has been experimenting with traditional and digital visual arts.
Appreciating Indian Genius through Exploring Traditional and Digital Arts Read More »
When art, beauty, silence, strength, wisdom and love come together, India’s soul is revealed. The author weaves together some reflections from his experience at Angkor Wat and Auroville.
Whispers Among Ruins: Angkor, Bhārata Shakti, and the Future She Beckons Read More »
Featuring selections from Sri Aurobindo’s masterly essay on Indian Painting, with a focus on the essential spirit and motive of Indian painting.
The Art of Painting in India – 1 Read More »
In this part, Sri Aurobindo highlights the essential spirit and motive of Indian painting which is identical with the inspiring vision of Indian sculpture.
The Art of Painting in India – 2 Read More »
The magnificent murals of the Veerabhadra Swami Temple mesmerise us with their aesthetic appeal, even after more than 500 years.
Of Rama, Sita and Veerabhadra: The Grand Temple at Lepakshi – 3 Read More »