In this concluding part, the author through the use of two examples – Nataraja and Seated Buddha – explains the deeper purpose behind the continuity of an artistic tradition that expresses the highest ideal valued by Indian culture.
The Aims of Indian Art – Part 5 Read More »
Volume VI, Issue 2Author: Sunil Kumar Editor’s Note: Enjoy this delightful book review, which is just as poetic in its feel as the book it speaks of. Book Details: Title: Vritrahan Author: Ratul Chakraborty Publisher: Occam (BluOne Ink Imprint), Pages 346ISBN 13: 978-9365478228Click to buy Quick summary Ratul’s poetic masterpiece seamlessly blends myth and modernity,
Book Review – Ratul Chakraborty’s ‘Vritrahan’ Read More »
Read what is unique about the origin of the greatest art in India, and how it is essentially different from the Western view of artistic creation.
The Persistent Within the Transient Read More »
India conceived the philosophy of art, early on in the Vedic period itself. The highest vision of the Rishis was at the root of all great art forms in India.
The Spiritual Roots of Art in India Read More »
Read about the various zones of what the Mother called as the World of Creation. This helps us understand how art can be a means for spiritual progress.
Art, Spiritual Progress, and the World of Creation Read More »
Through a masterful analysis the author concludes that if the aim of spirituality is to know the Self, then the aim of art too is the same.
The Different Paths of an Artist and a Sadhu Read More »
Read about the sacred origins of dance as per the Indian cultural tradition. Also emphasized here is an integral vision of art in India.
The Rapture of the Cosmic Dance – 1 Read More »
The focus of drama in India was along the lines of the Indian view of life which emphasised continuity and renewal as well as an urge to create an ideal life.
The Rapture of the Cosmic Dance – 2 Read More »
The author emphasizes the ‘sacred’ foundation of all artistic creation in India. Part 1 focuses on a brief history of sculpture in India.
Art in India: A Quick Historical Look – I Read More »
Sri Aurobindo writes in The Human Cycle, “The art, music and literature of the world, always a sure index of the vital tendencies of the age, have also undergone a profound revolution in the direction of an ever-deepening subjectivism. The great objective art and literature of the past no longer commands the mind of the new age.”
Embracing Life in Its Many Colours and Hues Read More »
The art of dhūlichitra mentioned in several ancient Indian treatises on art is known by many names such as kolam, rangoli, alpona, mandana, etc.
Dhūlichitra: The Art Ritual of Women Read More »
The essential element of the highest art in India is the artist’s insistence on expressing the Infinite in a finite form. To quote from Sri Aurobindo, it is to “disclose something of the Self, the Infinite, the Divine to the regard of the soul, the Self through its expressions, the Infinite through its living finite symbols, the Divine through his powers”
Envisioning the Divine in Indian Art Read More »