Rasa: Its Meaning and Scope – 3
The author presents an ideal for an artist. The artist is one in whom the sattwic buddhi or the capacity for ideal sensibility predominates.
Rasa: Its Meaning and Scope – 3 Read More »

The author presents an ideal for an artist. The artist is one in whom the sattwic buddhi or the capacity for ideal sensibility predominates.
Rasa: Its Meaning and Scope – 3 Read More »
Through a masterful analysis the author concludes that if the aim of spirituality is to know the Self, then the aim of art too is the same.
The Different Paths of an Artist and a Sadhu Read More »
In this part the author explores if there a primary rasa from which other rasa-s originate. He also helps us reflect on how rasa is an attribute of the soul.
Rasa: Its Meaning and Scope – 2 Read More »
This new series explores the Spirit and Forms of Art in India. The first issue focuses on the theme: The Purpose of Art – From Beauty to Bliss.
The Purpose of Art – From Beauty to Bliss Read More »
This remarkable letter of Sri Aurobindo, with relevant examples and detailed explanations, is a perfect response to the slogan – Art for Art’s Sake.
Art for Art’s Sake? Certainly, But Also Art for the Soul’s Sake Read More »
How is Beauty connected with delight, harmony and life? How does one experience the delight of beauty? Read and reflect. Also, watch a video featuring an insight from the Mother on how “the anguish of desire” distorts the experience of beauty.
“Beauty is his footprint…” (with video) Read More »
This essay is excerpted from Rabindranath Tagore’s book titled Sādhanā: The Realisation of Life. Don’t miss a beautiful poem by Tagore translated in English.
The Realisation of Beauty Read More »
The author writes: “Obscenity has its place in art, but not ugliness. Obscenity and ugliness are not the same, nor are decency and beauty.”
The Obscene and the Ugly – Form and Essence Read More »