Rasa: Its Meaning and Scope – 2
In this part the author explores if there a primary rasa from which other rasa-s originate. He also helps us reflect on how rasa is an attribute of the soul.
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Envisioning the Divine in Indian Art
The essential element of the highest art in India is the artist’s insistence on expressing the Infinite in a finite form. To quote from Sri Aurobindo, it is to “disclose something of the Self, the Infinite, the Divine to the regard of the soul, the Self through its expressions, the Infinite through its living finite symbols, the Divine through his powers”
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Art for Art’s Sake? Certainly, But Also Art for the Soul’s Sake
This remarkable letter of Sri Aurobindo, with relevant examples and detailed explanations, is a perfect response to the slogan – Art for Art’s Sake.
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“Beauty is his footprint…” (with video)
How is Beauty connected with delight, harmony and life? How does one experience the delight of beauty? Read and reflect. Also, watch a video featuring an insight from the Mother on how “the anguish of desire” distorts the experience of beauty.
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The Obscene and the Ugly – Form and Essence
The author writes: “Obscenity has its place in art, but not ugliness. Obscenity and ugliness are not the same, nor are decency and beauty.”
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The Figures of Eternity
If all Art is an artist’s interpretation of what he sees in Nature (or in Life), is it right to assume that it would express only beauty? Read to explore.
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Rasa: Its Meaning and Scope – 1
A few selections from a comprehensive essay, first published in two parts in the annual journal, Sri Aurobindo Circle (1949 and 1950).
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Antaryatra: An Artist’s Journey Within (Video)
We speak with artist Bindu Popli, who for the last 30 years has been immersed in creating art that comes from a place deep within her. For her, “painting is flowering, not making. The unknown world unfolds itself.”
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A Little Girl and Her Big Brother – Stories of a Personal Relation with the Divine
Two short stories written by a young author and artist whose work is primarily inspired by her devotion and adoration for Gampu bhai, the name she uses to lovingly call her ishta devata, Lord Ganesha.
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The Art of Heritage Photography – A Conversation with Madhu Jagdhish (Video)
Mr. Madhu Jagdhish is a heritage photography enthusiast, with special interest in documenting the rich Indian heritage of temple sculptures. A thoughtful exposure to our culture’s artistic heritage and an overall development of aesthetic sensibility and artistic appreciation are important parts of any meaningful education. In the age of smartphones with photography becoming available at fingertips, it is important that youngsters interested in exploring photography as an art-form and a possible vocation are shown this possibility that photography can also become a great medium to go deeper into one’s cultural roots and in the process discover and reveal (for oneself and for others) the rich artistic and aesthetic traditions that we have inherited. In this regard, Mr. Jagdhish’s work makes a significant contribution.
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An Artist’s Meditation: On Space, Art and Experience
An artist – sculptor and painter, muses on the inner dimensions of space, consciousness, art and experience. The piece has a meditative quality to it, and takes the reader to a space within where the inner gradually begins to merge with the outer infinite which is not different from the infinity within.
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