Rasa: Its Meaning and Scope – 3
The author presents an ideal for an artist. The artist is one in whom the sattwic buddhi or the capacity for ideal sensibility predominates.
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The Spiritual Roots of Art in India
India conceived the philosophy of art, early on in the Vedic period itself. The highest vision of the Rishis was at the root of all great art forms in India.
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Art, Spiritual Progress, and the World of Creation
Read about the various zones of what the Mother called as the World of Creation. This helps us understand how art can be a means for spiritual progress.
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The Different Paths of an Artist and a Sadhu
Through a masterful analysis the author concludes that if the aim of spirituality is to know the Self, then the aim of art too is the same.
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Rasa: Its Meaning and Scope – 2
In this part the author explores if there a primary rasa from which other rasa-s originate. He also helps us reflect on how rasa is an attribute of the soul.
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Envisioning the Divine in Indian Art
The essential element of the highest art in India is the artist’s insistence on expressing the Infinite in a finite form. To quote from Sri Aurobindo, it is to “disclose something of the Self, the Infinite, the Divine to the regard of the soul, the Self through its expressions, the Infinite through its living finite symbols, the Divine through his powers”
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Art for Art’s Sake? Certainly, But Also Art for the Soul’s Sake
This remarkable letter of Sri Aurobindo, with relevant examples and detailed explanations, is a perfect response to the slogan – Art for Art’s Sake.
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“Beauty is his footprint…” (with video)
How is Beauty connected with delight, harmony and life? How does one experience the delight of beauty? Read and reflect. Also, watch a video featuring an insight from the Mother on how “the anguish of desire” distorts the experience of beauty.
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