The Spiritual Roots of Art in India
India conceived the philosophy of art, early on in the Vedic period itself. The highest vision of the Rishis was at the root of all great art forms in India.
The Spiritual Roots of Art in India Read More »
India conceived the philosophy of art, early on in the Vedic period itself. The highest vision of the Rishis was at the root of all great art forms in India.
The Spiritual Roots of Art in India Read More »
In this part the author explores if there a primary rasa from which other rasa-s originate. He also helps us reflect on how rasa is an attribute of the soul.
Rasa: Its Meaning and Scope – 2 Read More »
This new series explores the Spirit and Forms of Art in India. The first issue focuses on the theme: The Purpose of Art – From Beauty to Bliss.
The Purpose of Art – From Beauty to Bliss Read More »
This remarkable letter of Sri Aurobindo, with relevant examples and detailed explanations, is a perfect response to the slogan – Art for Art’s Sake.
Art for Art’s Sake? Certainly, But Also Art for the Soul’s Sake Read More »
The timely relevance of the key points made by E. B. Havell in this lecture delivered in 1905 is remarkable, despite the references to the context of his time.
The Uses of Art – A 1905 Lecture Read More »
How is Beauty connected with delight, harmony and life? How does one experience the delight of beauty? Read and reflect. Also, watch a video featuring an insight from the Mother on how “the anguish of desire” distorts the experience of beauty.
“Beauty is his footprint…” (with video) Read More »
The author writes: “Obscenity has its place in art, but not ugliness. Obscenity and ugliness are not the same, nor are decency and beauty.”
The Obscene and the Ugly – Form and Essence Read More »
What do we are truly seek when we seek beauty? How can one consciously appreciate that which is beautiful and true? Read and discover.
“To find highest beauty is to find God” Read More »
A few selections from a comprehensive essay, first published in two parts in the annual journal, Sri Aurobindo Circle (1949 and 1950).
Rasa: Its Meaning and Scope – 1 Read More »
The author underlines some of the key ideas of Sri Aurobindo that could be taken forward for further treatment in academia, both present and future.
Sri Aurobindo and the Modern Academic World Read More »
The Mother explains that heaven and hell were invented by religions to control people and also to make them wise. She adds that the creative power of human thought gives an illusory existence of heaven and hell to people who believe in them but only the psychic world can be a true paradise.
Heaven and Hell Created by Religions Read More »
Sawani Shetye shares with us some insights on how travel can be used effectively to learn and appreciate the diverse histories of India and her rich heritage.
Exploring Indian Culture and History through Curated Heritage Trails (Video) Read More »
Mr. Madhu Jagdhish is a heritage photography enthusiast, with special interest in documenting the rich Indian heritage of temple sculptures. A thoughtful exposure to our culture’s artistic heritage and an overall development of aesthetic sensibility and artistic appreciation are important parts of any meaningful education. In the age of smartphones with photography becoming available at fingertips, it is important that youngsters interested in exploring photography as an art-form and a possible vocation are shown this possibility that photography can also become a great medium to go deeper into one’s cultural roots and in the process discover and reveal (for oneself and for others) the rich artistic and aesthetic traditions that we have inherited. In this regard, Mr. Jagdhish’s work makes a significant contribution.
The Art of Heritage Photography – A Conversation with Madhu Jagdhish (Video) Read More »