Temple as Puruṣa – Excerpts from a Talk
The Śilparatna says that the temple, prāsāda, should be worshipped as Puruṣa. But what is this Puruṣa and how a temple symbolises the body of the Puruṣa.
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The Vedic Spirit and the Temple Design
Read an overview of some of the ways in which a temple continues to embody and give a new form to the ancient Vedic spirit.
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Mystery-Miracle-Magic of Halebidu and Belur
The author recounts her unforgettable visit to the magnificent temples at Halebidu and Belur, two prime examples of the great Hoysala temple architecture.
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The Aims of Indian Art – Part 3
The author points out that the temple design suggests and symbolizes the Universe. The site of a temple or town is laid out in relation to astrological observations. Every stone has its place in the cosmic design.
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The Great Impersonal Creators and Their Living Creations
Find out what makes one a “true creator” whose living creations withstand the test of time, and explore the relation of Art and Yoga.
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Soul-realisation – The Method of Artistic Creation
Sri Aurobindo reminds us of the highest business of ancient Indian art at its greatest. The Mother explains how an artist may express the “One Divine.”
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The Aims of Indian Art – Part 1
Volume V, Issue 11-12Author: Ananda Coomaraswamy Editor’s Note: Ananda Kentish Coomaraswamy is a familiar name for every student or rasika of Indian Art. He is widely acknowledged as one of the great art historians and scholars of Indian art. Coomaraswamy was an early interpreter of Indian culture to the West. His numerous writings cover areas
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The Aims of Indian Art – Part 2
In this part, the author goes deeper into the essential purpose of art in India and also how it is different from the Western art.
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