The origin of image worship in India appears to be very ancient. Many believe it to be the result of the followers of Gautama Buddha adoring their master and worshipping him in the form of images on his apotheosis after death. However, there are indications on the prevalence of image worship among the Hindus long before the time of Gautama Buddha.
The Origin of Image Worship in India Read More »
India’s long and rich sculptural tradition is closely connected with her temple architectural tradition, known together as vaastu parampara. The intimate connection between these two art forms is exemplified perfectly by Kailasha Temple at Ellora caves. Read the author’s experiential account of her visit to Kailasha temple and other caves of Ellora.
Unearthing the Path: My Indian Story Read More »
Selections from the book ‘Indian Sculpture and Iconography: Forms and Measurements’ (2002) published by Sri Aurobindo Society.
From the One Formless to Many Forms Read More »
This photo essay gives us a peek into a Buddhist monastery in Spiti valley, famously known as the Ajanta of the Himalayas.
Tabo: A Lamp for the Kingdom Read More »
In Part 1 of this overview on history of Art in India, the author emphasised the ‘sacred’ and the ‘spiritual’ foundation of all artistic creation in India. He focused on the sculptural art in India. This part gives a brief history of Indian painting.
Art in India: A Quick Historical Look – 2 Read More »
In this concluding part, the author through the use of two examples – Nataraja and Seated Buddha – explains the deeper purpose behind the continuity of an artistic tradition that expresses the highest ideal valued by Indian culture.
The Aims of Indian Art – Part 5 Read More »
Enjoy this delightful book review, which is just as poetic in its feel as the book it speaks of.
Book Review – Ratul Chakraborty’s ‘Vritrahan’ Read More »
Art in India, including the artistic process used for decorative arts such as jewelry design, follows the essential Indian view, namely getting to the spirit of things and working out from that. Coomaraswamy also emphasises the role of tradition and historic continuity in creative and artistic process.
The Aims of Indian Art – Part 4 Read More »