“…the Indian mind moves on the spur of a spiritual sensitiveness and psychic curiosity, while the aesthetic curiosity of the European temperament is intellectual, vital, emotional and imaginative in that sense, and almost the whole strangeness of the Indian use of line and mass, ornament and proportion and rhythm arises from this difference.” Read more.
Spiritual Motive of Indian Sculptural Art – II Read More »
Sri Aurobindo has not merely theorised about the deeply subjective and spiritual tradition of Indian aesthetics, but through his spiritual poetry he has actually renewed this sanatana tradition and made it a living truth for the modern sensibility.
Sri Aurobindo and Indian Aesthetics – Part 1 Read More »
In Part 1 of this overview on history of Art in India, the author emphasised the ‘sacred’ and the ‘spiritual’ foundation of all artistic creation in India. He focused on the sculptural art in India. This part gives a brief history of Indian painting.
Art in India: A Quick Historical Look – 2 Read More »
Enjoy this delightful book review, which is just as poetic in its feel as the book it speaks of.
Book Review – Ratul Chakraborty’s ‘Vritrahan’ Read More »
Sri Aurobindo explains how one must ‘see’ the Indian temple to get closer to its deepest inner significance and its spiritual symbolism.
An Indian Temple in its Inmost Reality – I Read More »
The author explains Aswapathy’s visions of the “mountain chariot of the Gods” and “the single stair to being’s goal” connecting them to a temple tower.
“Temple-Tower to Heaven”, in Sri Aurobindo’s Savitri Read More »
The author speaks of Matrimandir as the Mother’s epic. It was first published in Auroville Today in 1992, and later reprinted in Mother India, January 1993.
Matrimandir: An Impressionistic Picture Read More »
The author recounts her unforgettable visit to the magnificent temples at Halebidu and Belur, two prime examples of the great Hoysala temple architecture.
Mystery-Miracle-Magic of Halebidu and Belur Read More »
A visualization of Sri Aurobindo’s sonnet titled Divine Sight. The seer-poet expresses here all that is seen by the seeing of the Soul.
Divine Sight – A Sonnet by Sri Aurobindo (Video) Read More »
In the Indian vision, all Art is a medium to express the Ananda, this Eternal Delight through form. An Indian painter or sculptor seeks the pure intensities of delight as he searches for the universal beauty revealed or hidden in all creation. As he seeks perfection in the form that comes through his hand or brush, his inner being experiences a sort of enlightenment through the power of a certain “spiritually aesthetic Ananda”, reminds Sri Aurobindo.
The Way of the Indian Artist Read More »